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Since our villages did not yet all have their
coat-of-arms, just ahead of the visit of the Prince of Wales (later
King Edward VIII) to Malta, 1876, the Scholar Nicola Zammit was
asked to think them out and get them ready for the occasion. New
ones have since been added and others modified, but the rest still
remain the same. By that time Tas-Sliema was growing fast into residential
area when formerly it was merely a budding summer resort, hardly
noticed till the late eighteenth century when Fort Tigne` was built.
Because the area had grown in a very short time it was given a coat
of arms and a motto. The motto “Celer ad Oras Surgo”
(hastily from the coast arisen) contrasting with the slow growth
of many of our ancient villages and towns.
In old documents the area we know as Sliema was
known as Qortin, as recorded in the pastoral visit of 1616 when
the small church on the headland was called Our Lady of Qortin.
It was built on the site of a niche destroyed during the Great Siege.
Qortin is a topographical term, very common all over our Islands,
indicating localities overlooking the sea or plains. The tip at
the harbour entrance became known also as Dragut Point, because
here the famous Muslim Commander Dragut (Turgut Reis) was wounded
on the 18th and died on the 23rd June 1565; the 1827 painting by
Giuseppe Cali called “Death of Dragut” should more precisely
be “The wounding of Dragut” since he is there figured
getting wounded.
The small chapel at Dragut Point fell into ruins
and was rebuilt in 1741 (later again destroyed by the French) and
referred to in documents by several names. In the pastoral visit
of 1758 and 1781 the place was called “Beata Virginis ta’
Qortin Sive ta’ Sliema”. In other documents as Nativity
of Our Lady, of Safe Voyage and Portum Salutis. Apart from Church
documents, the public works department referred to the place as
the coast road of “Beata Vergine Sotto il titolo della Sliema”
when repairing a quay in 1797. In 1801 a document states “Santa
Maria Ta’ Sliema Sive Buon Viaggio”, and Ta’ Sliema
et tal-Qortin”, and from 1802, through 1806, 1808, 1813, 1827
to 1837, mainly only as Sliema or Sliema Village. Around 1811 we
find the terms B.V.M. de Salute Sive ta’ Sliema, and B.V.M.
DE Porte Salutis. The little church in front of the present parish
church of Stella Maris used to be known and dedicated to the Holy
Name of Mary, and for several years celebrated a feast under this
title and that of Tal-Grazzja, described as being in the limits
of Birkirkara, in the region of Sliema. It is therefore since the
middle of the 19th Century that our area started to establish itself
securely as Sliema or Tas-Sliema. In 1897 the Parish Priest requested
the governor to elevate Sliema to town status, as other villages
had made similar requests to Grand Masters, but officialdom regarded
it as a mere suburb of Valletta. In 1903 a delegation requested
the governor to rename Sliema “Edward Town” in honor
of King Edward VII who was paying a visit to Malta, but the majority
wanted to retain “Sliema.”
Sliema is at the entrance of a harbour, and therefore,
whatever the titulars of the early niche and chapels of the past,
they were understood to greet seafarers and travellers into a safe
haven, hence the term, Sliema and Sliema have been taken to mean
Safe Arrival, or safe haeven, in other words Porto Salvo, a title
which had become popular during the 16th and 17th Centuries in several
churches in Malta, especially around the harbours.
Chapels of the Visitation were often taken to mean
also Porto Salco or safe arrival, symbolizing the safe birth of
St John the Baptist and applied to seafarers.
When Stella Maris church was built in the 1850s,
(and separated from Birkirkara in 1878 as a parish) Sliema residents
decided on the titular of Our Lady Star of the Sea, or Stella Maris,
preserving the original concept of Our Lady as the Star Leading
mariners safely into harbour. This star found its way in coat of
arms as a permanent reminder.
The Dominicans introduced the title of Porto Salvo
from Sicily where it is very popular in maritime churches, and it
is interesting to see how their Valletta Porto Salvo Church extended
its titular also to Sliema. Their old 1543 titular was bought in
1891 by Ferdinand Inglott who donated it to Stella Maris to replace
the previous one, which became too small for the enlarged church.
The past and the present titular paintings, together with Giuseppe
Cali’s 1887 painting above the choir, all show Our Lady Stella
Maris or Porto Salvo or Safe Heaven, now definitely synonymous with
Tas-Sliema”.
This is, in brief, the story of how the name
of our hometown finally settled down into permanency … Unless
we bring up another theory to explain how the name could have come
from Salama, a common Arabic personal name, also found as Ta’
Sliema in 16th century documents regarding fields at Hal Kirkop!
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